Nick Spitzer talks about the music that has resonated in the city since the storm, and how the music scene has changed.
If you’ve read Ray Bradbury’s 1962 classic “Something Wicked This Way Comes,” you know it’s a time capsule of a certain kind of Americana: small-town middle America in the mid-1900s, back when traveling carnivals still came to town.
The carnival in Bradbury’s book is a sinister one with soul-stealing carousels and diabolical characters like Mr. Dark – who bears a tattoo for each person who, lured by the offer to live out his secret fantasies, becomes bound in service to the carnival.
The novel’s title comes from a line in Shakespeare’s “Macbeth:” “By the pricking of my thumbs, something wicked this way comes.” And the story line deals with two young teenagers, Jim Nightshade and Will Halloway, wrestling with good and evil–an old-fashioned tale set in the wholesome Midwest.
But when a New York publishing house decided to re-do Bradbury’s book as a graphic novel, they chose what may seem like an unlikely man for the job: Ron Wimberly, an African American, 30-something comic book illustrator from trendy Brooklyn.
Wimberly has worked with DC/Vertigo Comics on titles such as “Swamp Thing.” He’s also the illustrator of an autobiography of the hip-hop artist and rapper Percy Carey called “Sentences: The Life of M.F. Grimm.”